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The Molly-Andrew relationship is part of a larger cultural trend in which black women, especially those of medium-to-dark-brown complexions — long positioned at the bottom of the aesthetic and social hierarchy in the United States because of racist standards — are increasingly appearing as leading ladies and romantic ideals in interracial relationships onscreen.

In many ways, these romances push back against racial bias in the real world. Inthe online dating site OkCupid updated a study that found that of all the groups on its site, African-American women were considered less desirable than, and received ificantly fewer matches than, women of other races.

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These works grapple with race in very different ways. While their union, in part, reflected the landmark ruling Loving v. The passionate rendering of that couple recognized racial difference only to transcend it.

In the final seasons, Fitz was so in love with Olivia that he sacrificed his marriage and took the country to the brink of war to rescue her when she was kidnapped. In an interview with Washington last fall, I asked her about her role in helping change perceptions of interracial relationships.

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A torrent of hate and violence against people of Asian descent around the United States began last spring, in the early days of the coronavirus pandemic. Jeremy O. Harris, the playwright, emphasized that control and coercion are inescapable in interracial relationships.

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Their racial differences are a reality that Lauren, her family and Cameron choose to confront together, and then embrace as part of the whirlwind courtship. The trend remains mostly symbolic, with black women still on the lowest rung of the socio-economic ladder. Every once in a while, however, these fictionalized romances and reality show couples give us something to cheer for: a happily ever after in which the male partner acknowledges and begins to unravel his own racial privilege, not just out of love, but because it is the right thing to do.

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